By Catherine Hickley on February 17,
2013
BloombergBusinessweek
A Greek heiress is fighting a legal
battle in Switzerland
to find out what has become of a collection of Picasso, Van Gogh, Renoir,
Monet, Cezanne and Degas art that she says should be part of her inheritance.
Basil Goulandris died in 1994; his wife Elise in 2000. Zaimis, a legatee
in Elise Goulandris’s will, contends that one- sixth of the collection should
be hers after her aunt’s death.
“I am determined to find the paintings which were in the Gstaad home
before my aunt’s death,” Zaimis said by phone from Greece . “I believe with all my
heart that the paintings were part of my inheritance.”
Her quest has uncovered a paper trail leading from the Aegean island of Andros
to Swiss depots; from a Panama
trading company to a Liechtenstein foundation,
according to two people familiar with the lawsuit who declined to be identified
by name.
The case now winding through a Lausanne court is examining whether a
sale contract dated 1985 for 83 masterpieces -- at a price far below their
value -- is genuine, the people said.
“I do not believe that Basil sold his collection,” Zaimis said. “They
were so proud of it. I cannot imagine he would have sold it for this price.”
Documents
Claim
Swiss prosecutors opened a criminal investigation into the Elise
Goulandris Foundation -- Elise’s main heir -- and the executor of her will, the
art historian and curator Kyriakos Koutsomallis, on suspicion of falsifying
titles of ownership, passing on false documents and duplicity in executing the
will, the people said. They declined to be identified by name because of
privacy restrictions in Swiss lawsuits.
“The proceedings in Switzerland
are still in their initial stages,” Zaimis’s lawyer, Ron Soffer of Soffer
Avocats in Paris ,
said in a telephone interview.
When Elise Goulandris left Gstaad for the summer, the paintings were
packed up and stored in a depot, according to the two people familiar with the
case. Zaimis said she hasn’t seen them since Elise’s death.
A beauty who had counted the former French President Valery Giscard
D’Estaing among her friends, Elise died while summering on the Aegean in her yacht. She had written her will in Greek
and in code, according to the two people.
Art
Museum
The Elise Goulandris Foundation, the chief beneficiary of her will,
plans to finance the construction of a contemporary art museum in Athens , according to Koutsomallis’s lawyer, Jean-
Christophe Diserens of Etude Villa Olivier in Lausanne . Goulandris also named six legatees
including Zaimis, Diserens wrote in a response to e-mailed questions.
Diserens denied any wrongdoing by his client.
“The manner in which Mr. Koutsomallis fulfilled his mission as executor
of the will has been approved by the heirs and Mrs. Zaimis’s co-legatees,”
Diserens wrote.
The critical sentence in Elise’s will is that all her personal property
that is not antique and fit for a museum should go to her nieces and nephews,
said the two people, who have seen the will. Zaimis says the paintings aren’t
antiques and should be part of her inheritance.
Panama Connection
After she filed suit, Diserens produced a contract dated 1985 showing
that Basil Goulandris sold 83 masterpieces to a Panamanian company called
Wilton Trading SA for $31.7 million, the people said. The company belonged to
Goulandris’s sister-in- law Maria Goulandris, according to testimony given by
her son Peter John Goulandris, the two people familiar with the court case
said. Maria Goulandris died in 2005.
Yet a report commissioned by the Lausanne
prosecutor found that the contract was printed on a type of paper that didn’t
exist before 1988, according to the two people, who have seen the report.
Zaimis also said she doubts that Basil Goulandris, who was suffering from
Parkinson’s disease, would have been capable of signing the contract after
1988.
“He couldn’t lift plates and glasses,” she said.
The Lausanne
prosecutor handling the case, Nicolas Cruchet, declined to be interviewed for
this article. Diserens said he wouldn’t comment on the disputed contract, as he
didn’t wish “to put into the public arena an inheritance conflict which should
only be of interest to the judges.”
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